互联网技术迭代背景下的数字艺术去中心化演进--从罗伊·阿斯科特到PAK

• 作者： 张海超 ¹
• 作者单位：
• 发布时间：2025-01-19

摘要: “去中心化”在基于当下数字加密艺术的热点讨论中带有明确的区块链技术语境,但这一语境一定程度上掩盖了“去中心化”以当代艺术现场为背景的更加广义的研究价值。本文尝试将去中心化一词从深度绑定区块链的状态中抽离,使用技术现象学相关方法,将其重新定义为伴随互联网技术迭代同步产生的一种旧有艺术现场及其话语体系变革迁移进程。文章从早期洲际电脑网络、万维网、增强现实、区块链四个技术节点切入,每个节点对应一个代表性艺术事件用于论证去中心化在特定时间节点对应的含义特征,以及该特征之于艺术现场与艺术话语体系的变革意义,同时从各个技术迭代节点所引发的艺术现场去中心化进程中探寻其共通本质。

Abstract: "Decentralization"has a clear context of blockchain technology in the heated discussion based on the current digital encryption art,but to some extent this context obscures the broader research value of"decentralization"under the background of the contemporary art scene.This paper attempts to extract the word decentralization from the state of being deeply bound to the blockchain,and redefines it as a change and migration process of old art scene and its discourse system which generated synchronously with the iteration of Internet technology,by using related methods of technological phenomenology.The article starts from four technical nodes of the early intercontinental computer network,World Wide Web,Augmented Reality,and blockchain.Each node corresponds to a representative art event to demonstrate the meaning and characteristics of decentralization at a specific time node,as well as the transformational significance of this characteristic in the art scene and the art discourse system.At the same time,it explores its common essence from the decentralization process of the art scene caused by various technological iteration nodes.

• 分类： 艺术学 >> 艺术学理论
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2022年 第2期
• 引用： PSSXiv:202501.01782 (或此版本 PSSXiv:202501.01782V1)
  DOI:10.12451/202501.01782
  CSTR:32012.36.PSSXiv.202501.01782
• 推荐引用方式： 张海超.互联网技术迭代背景下的数字艺术去中心化演进--从罗伊·阿斯科特到PAK.当代美术家,2022(2).[PSSXiv:202501.01782V1] (点此复制)