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当代艺术的非实物保存策略——基于“元数据”与“数据载体”的艺术博物馆收藏理论

  • 作者: 沈森 1
  • 作者单位:
  • 发布时间:2025-01-19

摘要: 在数字技术极速迭代的当下,当代艺术的发生为艺术博物馆的收藏与保护工作带来了冲击与挑战,传统博物馆学中基于“实物(原作)”的收藏和保存模式,与基于时间性、动态性、互动性、可变性的当代艺术表达并不匹配,在此背景下,博物馆学界针对“元数据”和“数据载体”而延伸的收藏理论提供了一种新的思考路径,后者以博物馆保存当代性和文化记忆为视角,延伸出一套以数据标准化和非实物保存为策略的博物馆收藏模式,为当代艺术的迁移、模拟和重新阐释提供了理论和实践的讨论。

Abstract: With the rapid iteration of digital technology,contemporary art has brought impact and challenge to the collection and protection work of art museums.The collection and preservation mode based on"material objects(original works)"in traditional museology does not match the expression of contemporary art based on temporality,dynamics,interactivity and variability.In this context,museum scholars have put forward the methods of"metadata"and"objects as data carriers"for the collection of contemporary art.From the perspective of preserving contemporary and cultural memory,the new theory expands the museum collection model with data standardization and non-physical preservation as strategies,and provides theoretical and practical discussions for the migration,simulation and reinterpretation of contemporary art.

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[V1] 2025-01-19 14:44:18 PSSXiv:202501.01806V1 下载全文
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