从商代青铜文明区域艺术交流看华夏“多元一体”文明的雏形

• 作者： 程雅娟 ¹⁰³³¹
• 作者单位：
  1.  南京艺术学院
• 发布时间：2024-06-26

摘要: “中国图像传播史”的重点在于“传播”，对“图像传播”的研究能使图像史研究的缝隙形成链接，建立完整科学的中国图像研究史。“多元一体”是从文化共同体角度解读中华文明形成历程的重要理论。本文对商代青铜文明的长江中游的新干大洋洲、古蜀文明、黄河流域殷商文明出土典型文物进行比较，寻找三者之间的造型观念、纹饰系统、工艺技术等领域的关联与互通。

Abstract: The focus of "the history of Chinese image dissemination" lies in "dissemination", and the study of "image dissemination" can bridge the gap in the study of image history and establish a complete and scientific history of Chinese image research. "Diversity and unity" is an important theory for interpreting the formation process of Chinese civilization from the perspective of cultural community. This article compares typical cultural relics unearthed from the Bronze Civilization of the Shang Dynasty in the middle reaches of the Yangtze River, including the Xin Gan Oceania, the Ancient Shu Civilization, and the Yin Shang Civilization in the Yellow River Basin, in order to explore the connections and interconnections among the three in terms of modeling concepts, decorative systems, and technological processes.

• 分类： 艺术学 >> 美术与书法
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2024年 第1期
• 引用： PSSXiv:202406.00526 (或此版本 PSSXiv:202406.00526V1)
  DOI:10.12451/202406.00526
  CSTR:32012.36.PSSXiv.202406.00526
• 推荐引用方式： 程雅娟.从商代青铜文明区域艺术交流看华夏“多元一体”文明的雏形.当代美术家,2024(1).[PSSXiv:202406.00526V1] (点此复制)