摘要: 1958-1960年期间,身处西南重庆的牛文
和李焕民在祖国边疆的广阔天地中深扎民族沃土,探
索出一条“由情入理”的描绘藏区社会风貌的叙事路
径。他们通过藏区之行的见闻与记忆来把握作品的内
容与情感,记录、挖掘、提炼、再现了一个包含抒情
性、纪念性和想象性的情动瞬间,既拓展了版画艺术
的形式语言,也生成了为中华民族大家庭所共感、共
享的边疆视觉与“民族-国家”的图史想象。
Abstract: During 1958-1960, Niuwen and Li Huanmin, who were in the southwest of
Chongqing , dug deep into the fertile land of the nation in the vast frontier of the motherland,
and explored a narrative path that described the social landscape of Tibetan areas from
emotion to reason. They grasped the content and emotion of the works through their
experiences and memories during their trip to Tibet. And they also recorded, excavated,
refined and reproduced an emotional moment containing lyricism, commemoration and
imagination, which not only expanded the formal language of print art, but also generated
the border vision shared by the Chinese nation family and the image of “nation-country”
[V1] | 2024-09-06 08:44:10 | PSSXiv:202409.00343V1 | 下载全文 |
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