延安木刻版画的图像生产：生活为源，人民为本

• 作者： 许加彪 ¹ 胡乃心 ²
• 作者单位：
  1.  陕西师范大学-新闻与传播学院

  2.  陕西师范大学-美术学院
• 发布时间：2024-12-16

摘要: 延安木刻版画在艺术史上独具一格，本文聚焦其图像生产，秉持生活为源、人民为本之理念着力探究。缘起于毛泽东1942年《延安文艺座谈会上的讲话》所提出的“深入生活”创作法，探讨革命文艺如何扎根人民生活实践并推动历史发展。研究从新现实主义视角出发，分析“生活”概念的多重维度及“人民群众”的核心地位。采用历史分析与文本解读方法，考察抗战时期艺术家多重身份及革命文艺创新路径。研究发现延安木刻版画借“深入生活”实践，实现艺术形式革新与人民精神觉醒提升，与马克思主义文艺理论相契合，为民众提供精神引领，丰富其精神世界。

Abstract: Yan 'an woodcut is unique in the history of art, this paper focuses on its image production, and upholds the concept of life as the source and people as the foundation. From the perspective of new realism, this paper analyzes the multiple dimensions of the concept of "life" and the core status of "people". Using the methods of historical analysis and text interpretation, this paper investigates the multiple identities of artists during the Anti-Japanese War and the innovative path of revolutionary literature and art. It is found that through the practice of "deep life", Yan 'an woodcut achieves the innovation of art forms and the improvement of people's spiritual awakening, which is in line with Marxist literature and art theory, provides spiritual guidance for the people and enrichis their spiritual world.

• 来自： 胡乃心
• 分类： 新闻传播学
• 稿件状态： 已投稿期刊
• 引用： PSSXiv:202412.00855 (或此版本 PSSXiv:202412.00855V1)
  DOI:10.12451/202412.00855
  CSTR:32012.36.PSSXiv.202412.00855
• 推荐引用方式： 许加彪,胡乃心.延安木刻版画的图像生产：生活为源，人民为本.哲学社会科学预印本平台:https://zsyyb.cn/abs/202412.00855.[PSSXiv:202412.00855V1] (点此复制)