Research on the Subjectivity of Chinese Culture in the Perspective of the Theory of A New Model of Human Progress
摘要: 按照唯物史观的观点,物质生产力是文明形成和发展的根本动力,正是在物质生产力发展的基础上产生了生产方式文明。对应于一定时期内的生产方式文明,总是会产生相应的文化文明与之配套,包括人类文明新形态在内的所有人类文明形态均为生产方式文明与相应的文化文明的综合体。文明形态作为一定民族国家当中的人进行实践活动的产物,与广义上的人类文化密切相关。人类通过自身的实践活动给不同领域打上了自身的烙印,因此也就产生了相应的经济主体性、政治主体性、社会主体性和文化主体性。在这些主体性当中,文化主体性的地位尤为关键。建构文化主体性对于实现人类文明新形态具有关键意义。根据唯物史观对于主体的规定,主体是主动性与受动性、主我与客我的有机统一。中华文化主体性的建构要基于“客我”的具体实际,发挥“主我”的主观能动性进行科学理论建构。
Abstract: According to the viewpoint of materialistic history, the material productive forces are the fundamental driving force for the formation and development of civilization, and it is on the basis of the development of the material productive forces that the civilization of the mode of production arises. Corresponding to the production mode civilization in a certain period of history, a corresponding cultural civilization will always be pro
duced to match it. All models of human progress, including the the new model of human progress, are a synthesis of the civilization of the mode of production and the corresponding cultural civilization. Progress models, as the products of practical activities carried out by human beings in a certain nation-state, are closely related to human culture in the broad sense. Through their practical activities, human beings have put their own marks on different fields, thus giving rise to economic, political, social and cultural subjectivity. Among these subjectivities, the position of cultural subjectivity is particularly crucial. The construction of cultural subjectivity is crucial to the realization of a new model of human progress. According to the materialist concept of history, the subject is the organic unity of the active and passive, the subjective self and the objective self. The construction of Chinese cultural subjectivity should be grounded in the concrete reality of the “objective self” while leveraging the proactive role of the “subjective self” to advance the development of scientific theory.
[V1] | 2024-12-31 22:09:03 | PSSXiv:202412.01617V1 | 下载全文 |
1. 信息哲学研究的四条进路 | 2025-04-24 |
2. 艺术与审美的离合及本体重构 ——兼论艺术泛化时代的定义可能 | 2025-04-25 |
3. 绝对自然与适度生存 | 2025-04-22 |
4. 如何理解现代个体的人权——再思哈贝马斯的双重批判与主体间性重构 | 2025-04-22 |
5. “无用共通体”:南希对共同体的“政治式回撤”及其理论效应 | 2025-04-22 |