为何不换工作？基于戏曲演员的艺术从业者择业行为研究

• 作者： 翟一鑫 ¹
• 作者单位：
  1.  华东理工大学-社会与公共管理学院
• 发布时间：2025-01-08

摘要: 从“艺术-行动者”的文化视角，探讨了戏曲演员在戏曲行业下行背景下依然坚守此行的社会文化因素。基于对白市豫剧演员职业坚守的案例考察发现，戏曲演员适应职业困境的一系列文化实践，重构了他们的生活世界。演员在文化实践过程中沉浸戏曲文本实现了自我再社会化，与戏曲声音达成情感共通，在戏曲表演中将自我角色化。借助戏曲艺术的阈限时空，对戏曲语言的体悟、角色生命的“投射-认同”体验以及观众满足的认同感，重构了演员的生活世界，并表现为有意树立专业性和艺术家形象。这一结果表明，职业行为研究中的普适性经济理性逻辑并不完全适用于艺术职业，艺术具有的文化性力量能够使从业者建构独属的意义世界，影响他们的职业行为选择。

Abstract: From the cultural perspective of “art-actor”, this paper discusses the social and cultural factors of Chinese opera actors who still stick to this trip in the context of the downturn of the opera industry. Based on the case study of the professional perseverance of Henan opera actors in Baishi, it is found that a series of cultural practices of opera actors to adapt to their professional difficulties have reconstructed their living world. In the process of cultural practice, the actors immersed themselves in the opera texts to achieve self-resocialization, reached emotional commonality with the opera voices, and role-played themselves in the opera performances. With the help of the liminal time and space of opera art, the understanding of the language of opera, the “projection-identity” experience of the characters’ lives, and the sense of identity provided by the audience, the living world of the actors is reconstructed, and it is manifested in the intentional establishment of professionalism and artist image. The results show that the universal economic rational logic in the study of professional behavior is not fully applicable to the art profession, and the cultural power of art can enable practitioners to construct a unique meaning world and influence their professional behavior choices.

• 来自： 翟一鑫
• 分类： 社会学
• 稿件状态： 已投稿期刊
• 引用： PSSXiv:202501.01123 (或此版本 PSSXiv:202501.01123V1)
  DOI:10.12451/202501.01123
  CSTR:32012.36.PSSXiv.202501.01123
• 推荐引用方式： 翟一鑫.为何不换工作？基于戏曲演员的艺术从业者择业行为研究.哲学社会科学预印本平台:https://zsyyb.cn/abs/202501.01123.[PSSXiv:202501.01123V1] (点此复制)