现当代龙门碑学大家比较研究——以于右任、李叔同、孙伯翔为例

• 作者： 邹国力 ¹ 刘春梅 ¹
• 作者单位：
• 发布时间：2025-01-19

摘要: 《龙门二十品》代表了北魏时期书法艺术的独特风格,清代金石学家称之为“魏碑体”“魏体”,也有人称为“龙门体”,它们是魏碑中“斜画紧结”一路书风的典型代表,其对后世学书者产生了深远的影响。于右任、李叔同、孙伯翔等现当代碑学大家,无不对其顶礼膜拜,并通过心追手摹,在《龙门二十品》的影响下,几位大家既有共性的追求,又有个性的表现,最终都铸就了自己的鲜明风格,在中国书法史上形成了一道亮丽的文化景观。

Abstract: 道亮丽的文化景观。收起"Twenty Products of Longmen"represents the unique style of calligraphy art in the Northern Wei Dynasty,and the Qing Dynasty stone scholars called it"Wei tablet style","Wei body",also known as"Longmen body".They are the typical representatives of the"oblique painting tight knot"in the Wei tablet,which had a profound influence on the later scholars.Yu Youren,Li Shutong,Sun Boxiang and other modern and contemporary steles all prostrate themselves in worship,and copy the works.With the influence of the longmen 20 products,some masters have both common pursuit,and the demonstration of their own characteristics,eventually forming their own distinct style in the history of Chinese calligraphy and building a magnificent cultural landscape.

• 分类： 艺术学 >> 美术与书法
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2022年 第5期
• 引用： PSSXiv:202501.01766 (或此版本 PSSXiv:202501.01766V1)
  DOI:10.12451/202501.01766
  CSTR:32012.36.PSSXiv.202501.01766
• 推荐引用方式： 邹国力,刘春梅.现当代龙门碑学大家比较研究——以于右任、李叔同、孙伯翔为例.当代美术家,2022(5).[PSSXiv:202501.01766V1] (点此复制)