宫室装点还是图文宣教——宋代婴戏图为何无法进入历代藏家品鉴体系

• 作者： 张廷波 ^1,2
• 作者单位：
  1.  浙江理工大学

  2.  浙江台州学院艺术与设计学院
• 发布时间：2025-01-19

摘要: 尽管学界已普遍注意到宋代婴戏图创作规模、传世作品极为可观,并留存下大量史料文献可供研究者考察。然而,梳理两宋之后历代收藏大家的藏品著录,却几乎未见一幅宋代婴戏图。换言之,既然宋代婴戏图存世数量极大,却为何难以进入历代收藏家的视野?对该问题的考察与讨论,或许能够在更大程度上拓展学界对于宋代婴戏图创作形态与史学价值的深入研究。而由图入史,则或可在更大空间内辅证宋史研究。

Abstract: The academic has generally noted that the scale of creation of Song Dynasty infant play pictures and the amount of memorable works is extremely considerable.There are also a large number of historical documents that can be studied by researchers.However,after combing through collections of the major collectors of all ages after the Two Song Dynasties,there is hardly a single Song Dynasty infant play picture.In other words,since the number of Song Dynasty infant play pictures is enormous,why is it so difficult for them to enter the view of collectors of all ages?The examination and discussion of this question may be able to expand the in-depth academic study of the creative form and historical value of Song Dynasty infant play pictures to a greater extent.The research on Song history from the perspective of the study of the Song Dynasty infant play pictures may offer the complementary evidence for it in a larger scope.

• 分类： 艺术学 >> 美术与书法
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2022年 第6期
• 引用： PSSXiv:202501.01784 (或此版本 PSSXiv:202501.01784V1)
  DOI:10.12451/202501.01784
  CSTR:32012.36.PSSXiv.202501.01784
• 推荐引用方式： 张廷波.宫室装点还是图文宣教——宋代婴戏图为何无法进入历代藏家品鉴体系.当代美术家,2022(6).[PSSXiv:202501.01784V1] (点此复制)