触觉之美：安格尔的古典世界

• 作者： 张坚 ¹
• 作者单位：
  1.  中国美术学院
• 发布时间：2025-02-17

摘要: 　安格尔是一位恰逢现代美术革命前夜的新古典主义画家，因应时代变化，在与同
时代的德拉克洛瓦的竞争中，创造和发展了一种蕴含浪漫主义内质的新古典主义绘画。他
崇尚线条，注重严谨的构图，以古典浮雕的观念抑制深度空间表达，突出平面性，创造出
一种独特的绘画的触觉之美；他以拉斐尔、普桑为楷模，同时，也融入希腊古风、哥特式
和样式主义因素。 在色彩方面，他注重冷暖色调对比，继承和发展北方绘画传统中的对于
事物外表肌理和细节的高度逼真的刻画之美。

Abstract: Jean-Auguste-Dominique Ingres was a leading painter of Neoclassicism, who
had just lived at the eve of the revolution of modern art, and in his competition with Eugene
Delacroix, a leading painter of Romanticism, he initiated and developed his personal style
of Neoclassical painting with obvious Romantic elements and qualities. He advocated linear
value, rigorous composition, paid much attention to the subtleties of contrasts among warm and
cool tonal colors, as well as high-fidelity surface of objects in his paintings. In fact, what he
had insisted on was a conception of relief from classical art, the expression of deep space was
suppressed in order to enhance the planar clarity of forms in his paintings, through which the
beauty of tactility was reached.

• 分类： 艺术学 >> 美术与书法
• 稿件状态： 已在期刊出版
期刊名称： 《当代美术家》 2025年 第1期
• 引用： PSSXiv:202502.00882 (或此版本 PSSXiv:202502.00882V1)
  DOI:10.12451/202502.00882
  CSTR:32012.36.PSSXiv202502.00882
• 推荐引用方式： 张坚.触觉之美：安格尔的古典世界.当代美术家,2025(1).[PSSXiv:202502.00882V1] (点此复制)