二手玫瑰乐队爆火的情感结构分析

• 作者： 苏晨林 ¹
• 作者单位：
  1.  中央民族大学
• 通讯作者： 苏晨林 
• 发布时间：2025-02-18

摘要: 二手玫瑰乐队自出道以来，就树立起了独一无二的东北地域风格。随后逐渐走向了更大的舞台，受众群体扩大到全国。本文从雷蒙德·威廉斯的情感结构视角入手，对二手玫瑰乐队爆火的原因进行解读。二手玫瑰乐队的爆红，蕴含着三个方面的情感结构。首先是冲击的视觉形象，东北大花布元素与夸张的服饰，满足了观众追求视觉效果的需求。其次是传统的回归，东北民俗文化与现代相结合以及乡土情怀，唤起了观众的情感共鸣。最后是青年人的狂欢，狂欢理论视角下的观众与仪式下的圈层化的群体认同感，说明了青年群体喜爱在音乐节追二手玫瑰的原因，以及在众多仪式感下，二手玫瑰乐队获得了群体的认同感。

Abstract: Since its debut, the Second Hand Rose band has set up a unique northeast regional style. Then gradually moved to a bigger stage, the audience expanded to the whole country. From Raymond Williams’ perspective of emotional structure, this paper tries to interpret the reasons for the popularity of Second Hand Rose band. The popularity of the used Rose band contains three aspects of the emotional structure. The first is the impact of the visual image, the northeast cloth elements and exaggerated costumes, to meet the needs of the audience to pursue visual effects. The second is the return of tradition, the combination of Northeast folk culture and modernity and the local feelings, arousing the audience’s emotional resonance. Finally, the carnival of the young people, the circle of group identity between the audience and the ceremony from the perspective of carnival theory, explains the reason why the young people like to chase after Second Hand Rose in the music festival, and the Second Hand Rose band obtains the group identity under the sense of many rituals.

• 来自： 苏晨林
• 分类： 文化学 >> 文化学
• 稿件状态： 已被期刊评审中
• 引用： PSSXiv:202502.00977 (或此版本 PSSXiv:202502.00977V1)
  DOI:10.12451/202502.00977
  CSTR:32012.36.PSSXiv202502.00977
• 推荐引用方式： 苏晨林.二手玫瑰乐队爆火的情感结构分析.哲学社会科学预印本平台:https://zsyyb.cn/abs/202502.00977.[PSSXiv:202502.00977V1] (点此复制)